Berliner Technische Kunsthochschule / MA Media Spaces _"Generative Art 1min video", divided in 3 parts:

1- Analogue _a "real life" footage

2- Generative _ a generative art clip

3- Interaction _considering as an installation, a clip about the process of interaction with a visitor. The eye, the "Window of Soul", is the theme and inspiration of this Processing 2.1 Sketch. The interaction, through the eye tracking, is represented by the round movements of the eye animation and the cursor over the sketch.

Music: "Clouds Up", by Air

"Vomitofagia" is a neologism. “Vômito” (Portuguese), from the Latin Vomitus, is the act of ejecting; “-fagia”(Portuguese), a complement coming from Greek –phagia, indicating an eating or devouring. "Mito" (Portuguese), from Greek Muthos, a widely held but false belief or idea: a "Myth".

It is an Art Installation project for a representation of two artistic Brazilian movements, the Anthropophagism and the Tropicalism.

Anthropophagism: word and image. Tropicalism: word and sound. Vomitofagia: word, image and sound. An immersive environment where senses are stimulated and determine the space itself, which, plastically, takes the “rupture” and the metaphor of the physical process of digestion from those movements as their principle. The human body is reapropriated.

Teaser Video:

Collage, Editing, Animation, Processing: Carla Gronwald

Music: Paula Daunt _https://soundcloud.com/pauladaunt

- web flyers for NaTora Productions, 2021

- Halloween web flyer 2020

- poster for Festa do Boi da Caipora Doida 2019

- posters for Festa Junina Berlin 2016 and 2017 (Illustration: Mauricio Negro)

Berliner Technische Kunsthochschule / MA Media Spaces _"Time Space Experiment" Project, which my keywords were "Time - Mechanics - Frame".

Inspirations from Hans Richter and all Dada films, Man Ray, Einstein, Saussure, Peirce and the Semiotics Theories and The Zeitgeist concept. And, of course, Marcel Duchamp's "Anémic Cinema" (1926).

These three elements presented through the Semiotics of Charles Sanders Peirce and his Pragmatism: Icon, Index and Symbol. The Icon, here, is the Duchamp’s discs. The index is the traversed way, people and cars. The symbol is in the streets, represented by traffic words, lights and asphalt painting. These are the basic visual elements of mechanics. The semiotic representation of time and frame is insert when mechanics is linked with them through the speed and the displacement, resulting in different perspective views and time perception.

Music: Prelude, Op. 28, No. 15, by Frédéric Chopin.

- C-Clamp of reason - Double page + text

- The Time - Double page + text

- Klein & Zwisler - Folder

- Valentines Day - Killstar Web

- Andre Gabeh - Artist’s Website

sketch by sketch

Character study for the English edition of children's collection "Recreations by Retroussy I", "Recreations by Retroussy II" and "Yellow Woodpecker", by Monteiro Lobato.